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This photograph was made for the Indianapolis 500 program cover and poster series in 1982. As always Sinar cameras are used and this was on 8x10 Ektachrome. The lens was 480mm at f90. The bellows extension was about 5 feet all of which was necessary to maintain a flat field for the image |
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The Egg was a demonstration for Universal Flavors to get the assignment of photographing egg nog. Sinar camera, 480mm lens, 8x10 film. |
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This photograph was made 1n 1984 for a company brochure. It became the cover for the company, a manufacturer of lights for fork lift type vehicles. There was only technique at the time. There were many exposures made on a single piece of 4x5 Ektachrome. And there was three films made for bracketing purposes. |
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This knife was exposed on 8x10 Ektachrome and is a good demonstration of the control that you must have when photographing highly reflective objects |
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| The has been my main camera system since 1969 |
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The Portland Headlight, Portland, Main. |
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This was a series of photographs made of the grandchildren of Keith Wilson, a good friend and client. Kodak featured one the photographs from this series at Epcot Center in 1984. It was a demonstration of family values and the technique of high key photography |
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| Catalog cover for
McGinty Conveyors, A local company specializing in material handling solutions
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The board room, Arvin Industries
Southern Indiana Millwork made the table, panelling and other items, this table was from Cherry
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Rodger Ward's Leader Card Special |
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This board room table was also done for Southern Indiana Millwork. |
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This artistic table top was set up by and photographed for Sondra Shafer. It was a series of life style images for an apartment advertising campaign |
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Plant interiors for Melaun Industries, brochure. The company does metal stamp and silk screen for the major appliance manufacturers such as Kenmore, Whirlpool, etc. |
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A McGinty New Generation Conveyor in plant photograph with background change |
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